whitney houston >one moment in a lifetime< is a brand new documentary for 2012,which started filming only a few weeks before her tragic death. we take an exclusive look at the life of the superstar,singer & actress, with producers, djs, industry insiders and features some never heard before tribute songs!

once again, finders keepers records are given unparalleled access to the emi pakistan vaults to bring -life is dance-, the follow-up to 2010s critically acclaimed groundbreaking lollywood cinematic pop compendium -the sound of wonder!-. licensed exclusively through the emi pakistan archives in lahore and re-mastered from the original reels. here you ll find fuzzy, scuzzy, twang-happy, spaced-out and funked up urdu-grooves complete with harmonium melodies and driven by some of the most random, freakish, finger numbing percussion that the south east asian mainstream has ever had to offer.

klik records proudly presents the third installment of the life on remix compilation series.the full cd features 9 remixes produced by klik records artists and guests such as hiroshi watanabe, scsi -9, siopis, vince watson, nhar, alex dimou, lee burton,nikos diamantopoulos and sunset blvd.the remixers worked on past,present and future classic klik records tracks Ð 9 remixes moving in a soundscape that extends from absolute minimality to cutting beats.deep techno and melancholic synth pads and strings,creating a densely woven emotional web.deep tech with groovy basslines,trippy synth pads and special,lazy voices that cant go unnoticed.

the embassy are far too often overlooked in the uk. they more or less engineered the goeteborg scene, and have been hugely important in shaping the swedish independent music landscape over the past 10 years. their influence is second to none. so, to help those who havent been paying attention to catch up, fredrik lindson and torbjoern hŒkansson have announced a retrospective release, life in the trenches, the other side of 2001-2011. the album compiles a bunch of rarities from the duos career, among them b-sides and previously unreleased tracks.

mighty clouds is a brand new project that finds thomas re-teaming with betty marie barnes, a talented singer who provided vocals for slgtms every night and fill up the room.the result is a collaboration of the sort that can only occur when two musicians connect on a level that goes beyond the songs they are performing. throughout mighty clouds self-titled debut, thomas and barness musical camaraderie generates a gentle electricity that exudes intimacy and beckons the listener to move in for a closer listen.

the story of skint & demoralised is too long and complex to go into here, but suffice to say it was quite a surprise to see a new release from skint & demoralised, let alone the bonus inclusion of the long shelved debut. made up of poet matt abbott and producer mini dog, skint & demoraliseds songs revolve around teenage pursuits like getting high, getting the girl and getting pissed as well tackling social issues like unemployment and alcoholism.

excellent uk indie album

wretch 32, real name jermaine scott, is one of the uks most loved mcs - from the underground up. from his early years in londons flourishing grime scene back in the early 00s, the tottenham-raised lyricist has always stood out from the crowd. his conscious and reflective bars, along with an extremely relaxed flow, made him a firm favourite on the uk hip hop circuit. much like tinie tempah, wretch 32 has proved that british mcs can reach the mainstream without selling their soul to pop. the first fruits of this crossover success were tasted in january 2011, when his single traktor broke into the domestic top five following an appearance on the bbc sound ofÉ list. and his second official single, unorthodox, fared even better, peaking at number two in april. so its clear that much has changed since his debut lp of 2008, wretchrospective - but has public recognition come at the expense of what marked wretch 32 out as such a talent in the first place? not at all - on the opening title-track, the rapper lets the listener know that its the same old wretch at work. over a drum-heavy hip hop beat he sets up the rest of the album well, advising everyone to fasten their seatbelts as he prepares to take them on a ride that they wont forget in a hurry. never be me finds wretch delving into his past, opening up about making certain decisions in life that got him to where he is today. featuring rnb newcomer angel on the hook, the track has an inspirational feel to it - all over another impressive, but this time more grime-influenced, beat. a true standout is anniversary, with alex mills on singing duties - its a love song, minus any cheese. then the album lurches into the electro-infused sanes the new mad - a glimpse into wretchs party lifestyle, with ladies and alcohol at the forefront of his attentions. and closer dont go just might be one of the tracks of the year.

you can forgive a band who set out to create something even just a little bit different and get it horrendously wrong, but its tough to have sympathy for a band who shy away from the challenge altogether. such was the case with autokratz on their first album, animal, which, apart from a passable opening track, consisted of a series of bland electronic pastiches Ð dance music that conversely made the listener want to sit and wait it out. that didnt stop the hype building around the duo, though, thanks in no small part to the fact that the album was released through in-vogue french label kitsunŽ music. the confusing positivity surrounding the lp suggesting, perhaps, that style overcomes substance once a record company has received the hipster seal of approval.this time around, however, kitsune has stepped aside, with autokratz releasing the follow-up on their own label, bad life. but has the sense of responsibility that surely comes with this step made them re-evaluate their direction? has it inspired them to inject a much-needed shot of creativity into their work? not a hope. if anything, autokratz descend even further into mediocrity on self help for beginners. once again, their best tunes are loaded towards the front of the album, starting with the lead single, -opposite of love. its far from outstanding, helped in no small part by the terribly contrived lyrics, but does possess a catchy synth melody Ð enough to earn it a place on club playlists, at least. its a similar story with -becoming the wraith, which has peter hook on hand to deliver an overtly new order-esque bassline. beyond that, however, the quality dips dramatically. tracks like -the seventh seal and -r.i.s.e. are typical of the selection on offer, underwhelmingly vapid, derivative tunes which show up a disappointing, but not totally unexpected, scarcity of guile on the part of their creators.where autokratz do excel is as producers Ð a quality evident not only in their own work, but also in their remixes for other artists. unfortunately, this only serves to exacerbate their deficiencies on the other side of the control room desk. ultimately it may mean that, having failed to address the shortcomings of their debut, autokratz will be fated to be filed under -also rans in the annals of music history. thats assuming, of course, that someone out there will actually remember them at all.

nice price deal !!!

boys and diamonds is unmistakably a pop album but also one that comfortably fits in with kompakts long-standing lineage of genre-refracting releases. you will be hard up find another record that cohesively brings to mind siouxsie rubbing elbows with shabba ranks, giorgio moroder sipping daiquiris in bali, desmond dekker envisioned through skittering footwork, tom tom club sitting in with congotronics, even early madonna produced by chris and cosey. unlikely as all of that sounds, rainbow arabia makes it sound easy. mostly recorded at their home studio in echo park, muppet palace, boys and diamonds was written and produced by the couple with help from their friends in los angeles and beyond. drummer/producer extraordinaire butchy fuego (pit er pat, boredoms, mia) contributes arrangements and beats in places, and icy demons dylan ryan plays on the percussion-heavy island shuffle nothin gonna be undone . the album was mixed at the wonderful hobby shop studios in la by mudrock, who also adds some final production touches on the record. the 11 new songs on the album, were also made possible by the encouragement of peers/heroes in la like former ghosts, fool s gold, secret circuit, abe vigoda, and part time punks dj crew. outside of their hometown, they also found support and inspiration from kindred spirits like pictureplane, spoek mathambo, as well as their new home, the ever-illustrious kompakt

debut album by hotly tipped helsinki duo villa nah, whose pure electronic pop evokes the finer aspects of the 1980s

just a classic album

extra life is the primary musical vehicle for charlie looker, singer, guitarist and composer, who has become one of the most intense and respected voices in the new york experimental underground.

das comeback !!!

extra life is a new york-based band led by guitarist/ vocalist/ composer charlie looker, a core member of the noise/chamber group zs and collaborator for dirty projectors, john zorn, william parker and john zorn. formed in 2007, extra life combines elements of dark romantic pop a-la bowies berlin period, aggressive math rock a-la slint, modern classical compositions and medieval vocal music, which the album title, secular works, refers to. secular works is without a doubt one of the most unique albums weve ever heard. it is challenging and rewarding, complex but melodic, intellectual but within reach. for fans of xiu xiu, dirty projectors, the dead science and sun city girls.

mit seinen ersten beiden konzerten >ti‘sto in concert< und >ti‘sto in concert 2004< stellte der hollŠndische megastar erstmalig die welt der elektronischen musik auf den kopf. 2003 feierten Ÿber 25.000 und im jahr darauf bereits Ÿber 50.000 menschen ausgelassen zu ti‘stos 8 stŸndigem dj-set im gelredome stadium in nimwegen, holland. diese einzigartigen events begeisterten fans auf dem ganzen globus und die dazugehšrigen dvds sind fester bestandteil einer jeden musik-dvd-sammlung

reissue , boot camp clik is an american hip-hop supergroup from brooklyn, new york city, which is composed of buckshot, smif-n-wessun, heltah skeltah, and o.g.c. , green & black splatter vinyl, limited to 300 copies.

ltd. dunkel-grüne 4fach vinyl

limited edition neon violet vinyl.

first ever vinyl release of the 2007 album from kool g rap.

classic hip hop tracks on vinyl

custom vhs style clamshell box

ch pop